{"id":5620,"date":"2024-09-04T10:00:59","date_gmt":"2024-09-04T13:00:59","guid":{"rendered":"https:\/\/blog.scielo.org\/es\/?p=5620"},"modified":"2024-09-11T14:46:12","modified_gmt":"2024-09-11T17:46:12","slug":"metamorfosis-friccion-o-simbiosis-entre-el-cuerpo-y-las-formas-animadas-en-la-obra-de-ilka-schonbein","status":"publish","type":"post","link":"https:\/\/blog.scielo.org\/es\/2024\/09\/04\/metamorfosis-friccion-o-simbiosis-entre-el-cuerpo-y-las-formas-animadas-en-la-obra-de-ilka-schonbein\/","title":{"rendered":"Metamorfosis, fricci\u00f3n o simbiosis entre el cuerpo y las formas animadas en la obra de Ilka Sch\u00f6nbein"},"content":{"rendered":"<p><a href=\"https:\/\/humanas.blog.scielo.org\/blog\/2024\/09\/04\/a-obra-de-ilka-schonbein\/\" target=\"_blank\" rel=\"noopener\">Original en portugu\u00e9s.<\/a><a href=\"http:\/\/blog.scielo.org\/es\/wp-content\/uploads\/sites\/3\/2024\/09\/Img-3.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-5631 size-medium\" title=\"Fotograf\u00eda en blanco y negro de la exposici\u00f3n &quot;M\u00e9tamorphoses&quot; de Ilka Sch\u00f6nbein, en la que marionetas de aspecto ligeramente macabro se sit\u00faan sobre una plataforma de madera, siendo manipuladas por la artista.\" src=\"http:\/\/blog.scielo.org\/es\/wp-content\/uploads\/sites\/3\/2024\/09\/Img-3-300x244.png\" alt=\"Fotograf\u00eda en blanco y negro de la exposici\u00f3n &quot;M\u00e9tamorphoses&quot; de Ilka Sch\u00f6nbein, en la que marionetas de aspecto ligeramente macabro se sit\u00faan sobre una plataforma de madera, siendo manipuladas por la artista.\" width=\"300\" height=\"244\" srcset=\"https:\/\/blog.scielo.org\/es\/wp-content\/uploads\/sites\/3\/2024\/09\/Img-3-300x244.png 300w, https:\/\/blog.scielo.org\/es\/wp-content\/uploads\/sites\/3\/2024\/09\/Img-3-768x623.png 768w, https:\/\/blog.scielo.org\/es\/wp-content\/uploads\/sites\/3\/2024\/09\/Img-3.png 850w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/humanas.blog.scielo.org\/en\/2024\/09\/04\/metamorphosis-friction-or-symbiosis-between-body-and-animated-forms-in-the-work-of-ilka-schonbein\/\" target=\"_blank\" rel=\"noopener\">Traducci\u00f3n en ingl\u00e9s.<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Las obras de la titiritera y bailarina Ilka Sch\u00f6nbein desaf\u00edan la percepci\u00f3n de la vida y la muerte, provocando reflexiones sobre el erotismo y la finitud. Sus creaciones revelan una singularidad po\u00e9tica que provoca una inquietante extra\u00f1eza en la relaci\u00f3n entre lo humano y lo animado. <span class=\"ellipsis\">&hellip;<\/span> <span class=\"more-link-wrap\"><a href=\"https:\/\/blog.scielo.org\/es\/2024\/09\/04\/metamorfosis-friccion-o-simbiosis-entre-el-cuerpo-y-las-formas-animadas-en-la-obra-de-ilka-schonbein\/\" class=\"more-link\"><span>Read More &rarr;<\/span><\/a><\/span><\/p>\n","protected":false},"author":119,"featured_media":5621,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[3],"tags":[71],"class_list":["post-5620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analisis","tag-divulgacion-cientifica"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.scielo.org\/es\/wp-json\/wp\/v2\/posts\/5620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.scielo.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.scielo.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.scielo.org\/es\/wp-json\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.scielo.org\/es\/wp-json\/wp\/v2\/comments?post=5620"}],"version-history":[{"count":4,"href":"https:\/\/blog.scielo.org\/es\/wp-json\/wp\/v2\/posts\/5620\/revisions"}],"predecessor-version":[{"id":5634,"href":"https:\/\/blog.scielo.org\/es\/wp-json\/wp\/v2\/posts\/5620\/revisions\/5634"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.scielo.org\/es\/wp-json\/wp\/v2\/media\/5621"}],"wp:attachment":[{"href":"https:\/\/blog.scielo.org\/es\/wp-json\/wp\/v2\/media?parent=5620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.scielo.org\/es\/wp-json\/wp\/v2\/categories?post=5620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.scielo.org\/es\/wp-json\/wp\/v2\/tags?post=5620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}